Coffee Confessions: Choosing to Express Like Espresso -A Guest Post by Author Caroline George

Writers tend to be different. Maybe our abnormality is accredited to the excessive amounts of time we spend with our own thoughts. Maybe we see and understand more than non-writers. Maybe our creativity has fried our brains.

I was and am different.

As a determined, overly imaginative teenager, I decided to spend my seventeenth birthday with my mom at Counter Culture Coffee in Atlanta, Georgia. There were two things I wanted for my birthday—a handmade vintage sundress and barista lessons. If the requests don’t convey my weirdness, let me preface by saying I had already published two books and launched my author career by the time I first used a tamp and steam wand. Different described every aspect of my life.

The first thing I learned about working an espresso machine:

Coffee is an art form.

Baristas at Counter Culture are required to complete various courses and training before receiving certification. These classes teach basic espresso machine usage, the chemistry of milk, and much more. All of this information is needed when working in authentic coffeehouses.

How does coffee relate to creative writing?

Writing requires the same amount of knowledge, practice, and skill as pouring the perfect latte. Professional baristas must be so familiar with the coffee-making process, they know when milk reaches the desired temperature, when the espresso is pulled to its prime consistency. Professional writers must also be so well-versed with their craft, they’re able to develop plots and characters with ease, build concise and effective sentences.

I tasted my first espresso shot at barista training—I was required to take multiple shots of espresso pulled at different draw times. My body was buzzed on caffeine as I made lattes, attempted a tulip and art design with steamed milk. The drinks were proof—I was not knowledgeable, practiced, nor skilled.

There are three writing tips I learned from Counter Culture classes.

Knowledge: Acquiring know-how takes effort.

Writing is a constant education, same as working as a barista. To be successful as a writer and author, one must do research, learn about the publishing industry and current market.

Practice: Knowledge is useless without implementation.

Like knowing how to pull an espresso doesn’t mean a barista can work an espresso machine, someone who knows how to write isn’t always a good writer. Once knowledge is gained, it needs to be applied and practiced.

Skill: Time determines talent.

Although some people are gifted with natural writing ability, the best writers gain their skills from utilization and diligence.

We have to make lattes with disfigured latte art before we can pour intricate floral designs. We have to be willing to write not-so-great stories before we can build masterpieces.

I left Counter Culture over-caffeinated, covered in grinds, and more appreciative of baristas. The experience was so inspiring, I made my main character in The Vestige (coming June 30 from Evernight Teen Publishing) a barista—shameless self-plug.

Overall, as writers, we need to express like espresso.

We need to be knowledgeable, practiced, and skilled.

 

About Caroline:

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Caroline George, author of THE PRIME WAY TRILOGY and THE VESTIGE, resides in Nashville where she spends the majority of her time in hipster coffeehouses, sipping lavender mochas and undertaking over-the-top projects. She is a two-time Georgia Author of the Year nominee, speaker, blogger and writer for teen magazine PURSUE. Caroline studies publishing and public relations at Belmont University and works as a publicist for local artists.

Instagram @authorcarolinegeorge

Facebook/AuthorCarolineGeorge

Twitter @CarolineGeorge_

Website: authorcarolinegeorge.com

 

About The Vestige:

Choose to see the unseen . . .

Julie Stryker has spent her life in the scenic streets of Charleston, South Carolina, bicycling to the local college, working at a coffeehouse, watching her family fall apart and back together. She has plans, dreams—all of which seem out of reach. Then she meets a handsome stranger at work, and she believes her life is on the brink of a much needed change. But after a tragic accident, Julie is whisked away from the only home she’s ever known and confronted with a life-altering secret: The end of the world has already occurred and a portion of humankind has been kept oblivious.

Tossed into a hidden world of deception, Julie must confront the truth within herself and reveal the government’s layers before the end of the world becomes a permanent reality.

1st Layer: What you can see.

2nd Layer: What you know is real.

3rd Layer: What you can neither see nor know is real.

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